thread oben

Einklappen

Ankündigung

Einklappen
Keine Ankündigung bisher.

Michael jackson wanted phantom of the opera film role

Einklappen
X
 
  • Filter
  • Zeit
  • Anzeigen
Alles löschen
neue Beiträge

  • Michael jackson wanted phantom of the opera film role

    Andrew Lloyd Webber: Michael Jackson wanted to play Phantom
    See show times »

    By Katie McLaughlin, CNN
    July 1, 2011 -- Updated 1915 GMT (0315 HKT)
    Andrew Lloyd Webber on the Phantom
    STORY HIGHLIGHTS
    Andrew Lloyd Webber is working on a stage revival of "The Wizard of Oz"

    Webber's musical "The Phantom of the Opera" turns 25 this year

    His song "I Don't Know How to Love Him," was first named "I Long for Kansas Morning"
    RELATED TOPICS
    Andrew Lloyd Webber
    Broadway Shows
    West End (London)
    Tony Awards
    "Piers Morgan Tonight" airs weeknights on CNN/US at 9 p.m. ET and on CNN International at 0200 GMT (live simulcast), 1200 GMT, and 2000 GMT and HKT.
    CNN -- Andrew Lloyd Webber told CNN's Piers Morgan that Michael Jackson wanted to play the title role in the film version of "The Phantom of the Opera." According to Webber, the King of Pop came to see the Broadway show multiple times -- years before the film came out -- and he and Jackson had spoken about a potential "Phantom" movie role.
    However, Webber said, "People in those days were very worried that a film, if it was made, would destroy the Broadway or the West End show, and everybody would just go and see the movie. In fact, it's been proven to be completely the other way around. If you make a movie, it's just a great help for the theater. But goodness knows what it would've been like."
    The seven-time Tony-winning, four-time Grammy-winning composer of musicals including "Phantom," "Cats," "Evita" and "Jesus Christ Superstar," among others, is a guest on Friday's "Piers Morgan Tonight."
    Webber also recalled another legend who had an interest in portraying the Phantom -- Sammy Davis Jr. Webber recalled being introduced to Davis by Liza Minnelli while in the south of France.
    "I have never felt so ashamed in my life," said Webber, who said he was skeptical about Davis' ability to fill the role at first. "For 2½ hours I heard one of the most consummate performances I've ever heard, and he ended up doing 'The Music of the Night.'"
    Webber told Morgan he had hoped to get Davis to open the production on the Toronto stage but it did not work out.
    Webber also told Morgan the story of how "Phantom," which is billed as the most successful musical of all time, came to be. Webber's fiancee at the time, performer Sarah Brightman, had been offered a role in a theatrical farce based on the "Phantom" novel by Gaston Leroux. Several months later, Webber bought a used copy of the novel at a book fair in New York.
    Today, Webber's musical version of "The Phantom of the Opera" is coming up on its 25th anniversary. A celebration concert in London is planned.
    The musical that catapulted Webber and lyricist Tim Rice to fame, "Jesus Christ Superstar," was called "blasphemous" when it hit the stage in the 1970s.
    "We never wrote 'Superstar' to be in any way shocking," said Webber. "We wrote it because we wanted to write the story of the man. And in fact, we really wanted to write a love triangle, because the whole thing was -- did Judas Iscariot have God on his side?"
    Morgan pointed out the irony of "Jesus Christ Superstar" causing a controversy when "The Book of Mormon" -- a musical that takes a cynical look at faith -- has just won multiple Tonys.
    Webber also told Morgan that "Superstar's" breakout song, "I Don't Know How to Love Him," was originally entitled "I Long for Kansas Morning."
    When Morgan suggested that narrative was the key to the longevity of his productions, Webber agreed, and pointed out that "Cats" was a "collection of poems by T.S. Eliot about cats that he wrote for his godchildren. Well, that was quite different, and we stitched them together with a vague story that we discovered that his widow had that he wrote, which was a sort of, forgive the pun, cat's cradle."
    Webber told Morgan that the moment in his career that remains in his mind the most and that he would re-live if possible is actress Betty Buckley's performance of the song "Memory" on opening night of "Cats" on Broadway.
    Webber's current project is a stage revival of "The Wizard of Oz." He and lyricist Tim Rice have written several new songs for the production, which will also include the songs from the film. The musical will star Michael Crawford in the title role. A longtime colleague of Webber's, Crawford originated the Phantom role on stage.
    When Morgan asked Webber why he selected "Oz," and how he knew it would fare well with a modern audience, the composer said, "The trick with those is you've got to find a character to cast that the public knows.
    "And of course, the role of Dorothy is something that everybody knows. And that's why we started with that. But interestingly with 'Oz,' it's never really worked in the theater before. And we looked at it very carefully, and came to the conclusion that what people had been trying to do was to stage the film, whereas what you really had to do is to go back and rethink it."
    Webber said if he were casting his all-time "dream" musical, it would star Elvis Presley, but of all the people he's worked with in real life, Glenn Close as Norma Desmond in his production of "Sunset Boulevard" would be the hardest act to follow.



    Das Gerücht.....Michael wollte zum Phantom der Oper kam glaube ich schon mal 2009 auf.....Bitte um Berichtigung sollte es doch nicht stimmen....

    Setze das nochmal dazu.....

    MICHAEL JACKSON WANTED PHANTOM OF THE OPERA FILM ROLE



    Monday July 4,2011
    Theatre impresario SIR ANDREW LLOYD WEBBER considered casting MICHAEL JACKSON in a film version of his classic musical THE PHANTOM OF THE OPERA.
    The critically-acclaimed composer reveals the Thriller hitmaker stopped by the Broadway production of Phantom several times after it opened in 1986, and Jackson was so enthralled by the show, he approached Webber and discussed the possibility of starring in a movie adaptation.
    Plans for a film version of the musical were announced in 1989 and Webber admits he was serious about casting the late pop superstar as the Phantom, but fears about the impact on the theatrical productions caused the project to be put on hold.
    Webber tells CNN host Piers Morgan, "People in those days were very worried that a film, if it was made, would destroy the Broadway or the West End show, and everybody would just go and see the movie.
    "In fact, it's been proven to be completely the other way around. If you make a movie, it's just a great help for the theater. But goodness knows what it would've been like."
    The Phantom of the Opera movie was finally released in 2004, with Scottish star Gerard Butler in the lead role, but the film drew largely negative reviews for its screenplay and directing by filmmaker Joel Schumacher.

    Theatre impresario SIR ANDREW LLOYD WEBBER considered casting MICHAEL JACKSON in a film version of his classic musical THE PHANTOM OF THE OPERA.


    Bitte um Nachsicht, sollten die Links nicht funktionieren.....

  • #2
    WEBBER-MUSICAL
    Jackson wollte Phantom der Oper sein
    04. Juli 2011 18.38 Uhr, B.Z.
    Michael Jackson flehte Andrew Lloyd-Webber um die Rolle als "Phantom der Oper" an.


    AFPBild 1 von 3
    Michael Jackson hatte vor, das Phantom der Oper aus dem gleichnamigen Musical im Film zu spielen
    Fühlte er eine Seelen-Verwandtschaft mit dem Mann, der sein Gesicht hinter einer Maske versteckt? Jetzt enthüllt Komponist Sir Andrew Lloyd-Webber („Cats“, „Evita“): Michael Jackson (1958-2009) wollte gern das Phantom der Oper spielen.

    Der King of Pop sei so begeistert von der Broadway-Produktion gewesen, dass er Lloyd-Webber kurz nach der Uraufführung 1986 anbettelte, ob er in einer Filmversion mitspielen könne.

    Am Ende habe sich Jackson aber gegen eine Verfilmung entschieden, angeblich, weil er der Bühnen-Version nicht die Fans wegnehmen wollte.

    2004 wurde das Musical um das unglückliche Genie Erik, das – von Geburt an schwer entstellt – in den Kellern der Pariser Oper haust, doch noch verfilmt. Sex-Gott Gerard Butler („300“, „Gesetz der Rache“) spielte Erik. Mit mäßigem Erfolg. Klar, er durfte sein Gesicht nicht zeigen.



    Schade......ich hätte Michael gerne im Film bewundert und wenn Er dazu auch seine Musik/Songs komponiert hätte.....
    Der Run darauf wäre groß gewesen. Wer weiß vll. hätte Hr.Weber das Stück neu inszenieren müssen.....

    Ein Musical lebt vom Film und ein Film vom Musical......Michael hätte es versuchen sollen......ich wäre hingegangen

    Kommentar

    thread unten

    Einklappen
    Lädt...
    X